Tea@3 Chat / Q&A with Industry folks over a cuppa …

October 22, 2020

NAHEMI are delighted to sponsor Tea@3 with Mam Fromage.
For the next four Fridays from 3 to 3.30 there’ll be chat and Q&A with industry folks over a nice cuppa hosted by Freya Billington
All from the comfort of Zoom. Spread the word and invite your students.
Meeting ID: 795 261 3779 Passcode: TEAAT3
FRIDAY 23RDOCT 3:00PM
Production Designer ANDREW PURCELL
(RIVIERA, THIRTEEN, INDIAN SUMMERS, NO OFFENCE)
“My job is to look after the physical, visual side of things, in terms of sets and props and effects”, Purcell explains. “I help find the locations and then turn them into appropriate places for the drama to happen. We’ll decorate a location and dress it according to the character and what we would assume those character’s choices to be. https://www.imdb.com/name/nm0700696/
FRI 30THOCT 3:00PM
Editor BARNABY PILLING
(THE GRAND BUDAPEST HOTEL, ANNIHILATION, SUFFRAGETTE)
Barney Pilling is an OSCAR-nominated British television and film editor. Some of Pilling’s TV projects include Spooks, Life on Mars, No Angels, Hotel Babylon and As If. He was nominated for an Academy Award for Best Film Editing for the 2014 film The Grand Budapest Hotel.[1] His past film projects include Miss Pettigrew Lives for a Day, An Education, Never Let Me Go, and One Day.He grew up in North Manchester and worked as a DJ before moving into Editing. https://www.imdb.com/name/nm1306189/
FRI 6THNOV, 3:00PM
Art Director ALEXANDRA WALKER
(HARRY POTTER AND THE ORDER OF THE PHOENIX/ GOBLET OF FIRE/ PRISONER OF AZKABAN, LET ME GO, CARMILLA)
I have worked in the British film industry for 22 years, in that time I have had the privilege to work with and learn from some brilliant and visionary filmmakers. Whether the film has been low budget/independent or attached to a big studio, my experience has been a huge journey which I look forward to continuing in production design.
COMING UP
Cinematographer NATASHA BRAIER
HONEY BOY, NEON DEMON, GLORIA BELL
At the 2017 Robert Awards, Natasha won the Robert Award for Best Cinematography for her work on The Neon Demon. At the 2019 Sundance Film Festival, she won the Special Jury Award for Vision and Craft for her work on Honey Boy.
SHARE THIS